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Review: I Am Number Four
Reviews
The Seeker: The Dark Is Rising
A smirky and sore temptation
By
JEFFREY GANTZ
|
October 5, 2007
THE DARK IS RISING
" alt="photo of 'THE DARK IS RISING'">
1.5
Stars
THE DARK IS RISING: An unfortunate
Harry Potter
wanna-be.
It’s never a good idea to judge a movie by the book it was adapted from, but this
Lord of the Rings
/
Harry Potter
wanna-be is a sore temptation. Susan Cooper’s 1974 Newbery Honor Book
The Dark Is Rising
, the second volume of her “Dark Is Rising” quintet, tells of the Stanton family of Buckinghamshire, and in particular Will Stanton, seventh son of a seventh son, the last of the Old Ones to be born, and how he joins them in the battle of the Light against the Dark. Cooper’s series is all about Britain, its lore, its family strength, its tradition of self-sacrifice. David L. Cunningham’s Fox Walden movie turns Will and his family into contemporary (cellphones, video games, skateboards) Californians who’re living in England because dad got a job teaching physics there. The kids are obnoxious, and smirky, tow-headed Will (Canadian Alexander Ludwig) is all self-indulgence — but who can blame him when mentor Merriman (Ian McShane) is spouting lines like “The future of the human race depends on you”? Christopher Eccleston as the meant-to-be-menacing Rider is upstaged by the special effects — and by the sentimentality of the kidnapped-twin story that’s tossed into the mix. Only the gruff authenticity of real Brits James Cosmo and Jim Piddock as Dawson and Old George offers any protection against this American rising dark.
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[
02/14
]
Peter Frampton
@ Zeiterion Theatre
[
02/14
]
"Dana Levin: A Classical Realist In the 21st Century," an exhibit of paintings
@ Bert Gallery
[
02/14
]
Mary Poppins
@ Providence Performing Arts Center
ARTICLES BY JEFFREY GANTZ
EMMANUEL MUSIC'S B-MINOR MASS; LEXINGTON SYMPHONY'S DEBUSSY AND HOLST
| October 03, 2011
Johann Sebastian Bach wasn't the first composer to recycle previous material, but he might have been the first to put together his own greatest-hits album.
JORDI SAVALL AND THE BOSTON EARLY MUSIC FESTIVAL ORCHESTRA
| June 17, 2011
"The Celtic Viol" — the title of the Boston Early Music Festival concert Catalan gambist Jordi Savall gave yesterday evening at Jordan Hall — looks like an oxymoron, since Irish and Scottish music is almost by definition traditional and popular and the viol is associated with "serious" early classical music.
REVIEW: JIG
| June 16, 2011
Sue Bourne's documentary about Irish stepdancing in general and the 2010 Irish Dance World Championships in particular treads a formulaic path.
THE BOSTON EARLY MUSIC FESTIVAL EXHIBITION
| June 17, 2011
What with the operas and the big-name visitors and the demonstrations and mini-classes and workshops and symposia and society meetings, to say nothing of the Early Music America Conference and Young Performers Festival, it would be easy to overlook the Boston Early Music Festival's Exhibition.
LARISSA PONOMARENKO BOWS OUT
| May 26, 2011
The bad news — really bad news — this past week is that principal dancer Larissa Ponomarenko is retiring after 18 years with Boston Ballet. (She will, however, be staying on as a ballet master.)
See all articles by:
JEFFREY GANTZ
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