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Review: Big Mommas: Like Father, Like Son
Reviews
Dragon Wars: D-War
Monumental clunk
By
CHRIS BRAIOTTA
|
September 19, 2007
DRAGON WARS: D-WAR
2.0
Stars
VIDEO: Watch the trailer for
Dragon Wars: D-War
.
The redundantly titled
Dragon Wars: D-War
is not one of those South Korean films that get critics excited. Maybe subtitles just make other Korean films
seem
wry and polished. If so, director Hyung-rae Shim really muffed it in using an all-American cast, leaving no cover for his film’s monumental clunk. A woman from Korean legend is reincarnated in LA, and possessed of the mystical hoo-hah needed to turn a giant serpent into a dragon. An evil serpent is on her trail, and all that stands between the big worm and its prize is a reborn hero, an antiques-dealing wizard, the US Army, and every skyscraper LA can muster. The film is as rhythmless as its honky leads, and Shim is unburdened by any compulsion to make sense. But at least
Dragon Wars’
eye-boggling corn feels free of Hollywood cool-striving. I’ll take weird, surprising crap over slick any day.
Related
:
Letters to the Portland Editor, February 10, 2006
,
Trouble in paradise
,
Breeding injustice
,
More
Letters to the Portland Editor, February 10, 2006
For your information, there are several area writers who keep watch on the Portland Press Herald and, as we are able, respond to its failure to be a fair and responsible reporter.
Trouble in paradise
While our capital city continues to promote itself as a prime booster and center for the arts, we continue to wonder about the strength of that commitment.
Breeding injustice
How “fit” is your family? Bloody July: In just one month, six different State Supreme Courts have ruled against gay marriage. By Michael J. Amico
C.J. Chivers's real journalism
Phillipe and Jorge were absolutely stunned by the astounding and chilling story on the front page of the April 20 Urinal
Freaks, Geeks, and Faux Bono
As Bay Staters, we recognize that our European ancestors sure knew how to roll: scarlet letters, sticks up asses, if-she-drowns-she's-not-a-witch-if-she-floats-she's-a-witch-so-let's-kill-her legal applications.
The Big Hurt: Enduring the Billboard ‘Active’ chart
If you're not in the radio business, you might not know the term "Active Rock." It's not a genre, thank Heaven, but a radio format — the worst radio format.
Here come the bugs
I'm not one of those people who assumes that just because somebody casually mentions they're thinking about running for governor of Maine in 2010, that they should be restrained, subjected to electro-shock therapy, and deported to someplace where they can't do any harm.
Review: The Sun
No sun is in sight in the beginning of Aleksandr Sokurov’s look at the last days of divinity for Emperor Hirohito.
Capital boneheads
The willing support of GOP US representatives for Dubya’s spying on innocent Americans, violating their civil rights on a daily basis for years, makes this all the more detestable, if not laughable.
Alter ego
Jennifer Marcus is afraid, very afraid.
War all the time
War is hell and all that, but deep down you desperately want to know what it was actually like.
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4-9 pm | Tom Tom Sunday: Celebrating the Big Beat of Tom Ardolino
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[
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Mary Poppins
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[
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"Nostalgia Machines"
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ARTICLES BY CHRIS BRAIOTTA
MAY YOU AND PORTLANDIA BE VERY HAPPY TOGETHER!
| February 15, 2012
Thanks to Portlandia I now know way too much about you guys and your grody inner lives. It's not the show itself — it doesn't have that power. It's your horrifying enthusiasm for the show that has granted me this mirror.
THE HIPSTER HARRY POTTER
| September 21, 2011
The inside flap of Wildwood — the new young-adult fantasy novel by Decemberist Colin Meloy — claims that the book is for ages nine and up.
WELCOME HOME ROSCOE JENKINS
| February 06, 2008
“I wonder how this can possibly end?” Wait, sorry, I meant, “When will this possibly end?”
HOW SHE MOVE
| January 23, 2008
The dance sequences suffer for the lack of gloss, but it’s a fair trade because tiny bursts of drama erupt whenever the plot looks the other way.
PREGNANT PAUSE
| December 12, 2007
Jason Reitman’s film makes the most of a few great ideas.
See all articles by:
CHRIS BRAIOTTA
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