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Review: Big Mommas: Like Father, Like Son
Reviews
3:10 to Yuma
Claustrophobia
By
BRETT MICHEL
|
September 5, 2007
3:10 TO YUMA
" alt="photo of '3:10 TO YUMA'">
2.5
Stars
3:10 TO YUMA Russell Crowe is great in James Mangold’s bloated epic.
Claustrophobia. In director Delmer Daves’s 1957 Wild West battle of wills, it seeped like a cancer into his modestly expanded take on Elmore Leonard’s short two-hander set within the confined time and space of a hotel room. As a lawman awaits a train that will transport his prisoner (slyly played by Glenn Ford) out of Contention, Arizona, the murderer’s gang converges. It was small and tense, its ending saturated in shades of gray. James (
Walk the Line
) Mangold’s remake, however, is mostly black and white, a bloated miscalculation with epic pretensions. Dan Evans (Christian Bale) is no longer a marshal but a simple rancher desperate to save his faltering farm. He’s a failure in the eyes of his wife (Gretchen Mol) and son (Logan Lerman), but redemption awaits if he can deposit captured outlaw Ben Wade (Russell Crowe) on the 3:10 train to Yuma Prison. Bale and Crowe are superlative, but Mangold’s rote, banal expansion never quickens the pulse.
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“And so the legend begins . . . ”
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The United States of America is a nation with a proud history.
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Except for a few agitators like Sean Penn and Barbra Streisand, people in Hollywood prefer to play down their liberal bent.
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[
02/18
]
20th Annual Cajun & Zydeco Mardi Gras Ball
@ Rhodes-On-the-Pawtuxet
[
02/18
]
"Dana Levin: A Classical Realist In the 21st Century," an exhibit of paintings
@ Bert Gallery
[
02/18
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A screening of Andy Warhol's Sleep
@ RK Projects + Magic Lantern Cinema
ARTICLES BY BRETT MICHEL
REVIEW: THIS MEANS WAR
| February 16, 2012
What promises to be a modern Jules and Jim (until you realize it's directed by a 43-year-old who calls himself "McG") quickly devolves into Spy vs. Spy territory, only with incompetently staged and edited action and little of that ol' Mad magazine zing.
REVIEW: THE VIRAL FACTOR
| January 17, 2012
Made for a modest budget of $17 million — and feeling like it (who needs convincing explosions in an action movie?), Dante Lam's latest still gets the job done from a run-and-gun standpoint.
REVIEW: EXTREMELY LOUD AND INCREDIBLY CLOSE
| January 17, 2012
Too soon? For Stephen Daldry's 9/11 drama, the right time is "never."
REVIEW: THE DIVIDE
| January 10, 2012
Many a teleplay for The Twilight Zone threatened atomic Armageddon, and though Frontier(s) director Xavier Gens nukes New York in the opening shots of his latest thriller, he finds more inspiration in the horrors of human nature as seen in the old TV show's episode "The Monsters Are Due on Maple Street."
REVIEW: MISSION: IMPOSSIBLE – GHOST PROTOCOL
| December 20, 2011
Impossible Missions Force agent Ethan Hunt (Tom Cruise) returns to the screen in dramatic fashion as new teammate Jane (Paula Patton) and the returning Benji (Simon Pegg) break him out of a Russian prison.
See all articles by:
BRETT MICHEL
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