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Review: Yellowbrickroad
Reviews
Joshua
Eschewing supernatural hysteria
By
BRETT MICHEL
|
July 11, 2007
JOSHUA
2.5
Stars
VIDEO: Watch the trailer for
Joshua
.
Why didn’t Patricia Highsmith begin chronicling the dubious deeds of Tom Ripley at a younger age –– say, nine? Perhaps it’s because she knew how improbably the portrait of an artist as a young sociopath would read, talented though he may be, when he’s been capable of wiping his own ass for barely five years. But then, Joshua Cairn (icy newcomer Jacob Kogan), the Bad Seed at the center of George Ratliff’s Manhattan-set thriller (Rosemary must be a neighbor), is so precocious that he likely bypassed diapers faster than he’s skipping grades. Ratliff’s new spin on an old yarn wisely eschews supernatural hysteria, favoring the very real fears of unexceptional parents (finely unhinged work from Sam Rockwell and Vera Farmiga) pushed past the bounds of sanity by an exceptional prodigy who maybe also pushed his Christian-nut-job Grandma down a set of stairs, something sure to please fans of Ratliff’s documentary
Hell House
.
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Fateful Departed
No wonder the cops and the feds can’t catch Whitey Bulger: they’re too busy beating the shit out of each other. Watch the trailer for The Departed (QuickTime) Whitey wash: Scorsese, Damon, and DiCaprio honor The Departed. By Brett Michel
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Just about any list of the greatest character actors working today would include David Morse. And with good cause.
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Dick gets off easy in Frost/Nixon
Review: Iron Man 2
Maybe I’m just relieved that it wasn’t in 3-D, or maybe actor Justin Theroux (frequent David Lynch collaborator and co-scripter of Tropic Thunder ) is just a better writer than the law firm of scribes that pasted together the original, but Jon Favreau’s sequel to his creaky adaptation of the rusty Marvel standby Iron Man restores my lack of faith in superheroes.
Die Another Day
How often do you get a second chance at making a first impression? In Hollywood, it’s likely never.
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It’s easy for me to say, because I don’t have to put butts into seats, but wouldn’t it be great if a local repertoire house programmed a series of adaptations of the late British novelist Graham Greene?
October lite
We expected the vampires, the werewolves, the zombies, and the homicidal maniacs. Same thing with the android doubles, the alien abductors, the sexually abused pregnant teenager, the Apocalypse, and the post-Apocalypse. But kids' movies?
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Review: G-Force
A hero named Darwin and a convoluted plot about "global extermination" are the first clues that director Hoyt Yeatman isn't taking the cute route with his cast of animated guinea pigs.
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[
05/26
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"A Natural Order," photographs by Lucas Foglia
@ David Winton Bell Gallery
[
05/26
]
George Orwell's 1984, adapted by Nick Lane
@ Gamm Theatre
[
05/26
]
"2012 RISD Graduate Thesis Exhibition"
@ Rhode Island Convention Center
ARTICLES BY BRETT MICHEL
REVIEW: GIRL IN PROGRESS
| May 15, 2012
As rites of passage go, Girl in Progress is a step backward for the genre.
REVIEW: FIRST POSITION
| May 10, 2012
While not the most probing look at rising stars, Bess Kargman's documentary focuses on six aspiring contestants preparing for the prestigious Youth America Grand Prix competition (a proven entry point into the world of professional ballet) who demonstrate dazzling talent.
REVIEW: THE BEST EXOTIC MARIGOLD HOTEL
| May 03, 2012
Filled with Indian (and British) clichés, it is nonetheless a pleasant diversion that doesn't involve special effects or 3D glasses.
REVIEW: BLUE LIKE JAZZ
| April 12, 2012
A faith-based film directed by Christian recording artist Steve Taylor, adapted by Taylor and Donald Miller from the latter's 2003 memoir, this micro-budgeted indie tries to appeal to everyone by not offending anyone . . . except those who like movies.
REVIEW: JIRO DREAMS OF SUSHI
| April 04, 2012
Eighty-five-year-old Jiro, with his unchanging expression and bald pate, resembles a wizened turtle. Leaving home at age 9 and forced to fend for himself, he would become the world's greatest sushi chef.
See all articles by:
BRETT MICHEL
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