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Review: Big Mommas: Like Father, Like Son
Reviews
Everything's Gone Green
Silly, and seen before
By
GERALD PEARY
|
July 3, 2007
EVERYTHING'S GONE GREEN
" alt="photo of 'EVERYTHING'S GONE GREEN'">
1.0
Stars
GONE GREEN: Nothing original.
No question what got the financing for this inconsequential no-star comedy that never made it to the commercial theaters in Boston. Douglas Coupland, the author of
Generation X
, signed on for the screenplay, a Gen X tale set in Coupland’s own Vancouver. But there’s only the occasional over-clever line to signal that a literary voice of distinction had anything to do with the script. And Paul Fox’s film is just another story about a befuddled, underachieving twentysomething (Paulo Costanzo) whose yuppie girlfriend kicks him out. Ryan is also booted from his cubicle job, but then he gets his chance for rejuvenation when he meets Chinese chick Ming (Steph Song) by a beached dead whale. That’s the picture: silly, and seen before.
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[
02/20
]
"Optical Noise: American & British Prints/Films from the 1960s-1970s:
@ David Winton Bell Gallery
[
02/20
]
Third Annual Providence Children's Film Festival
@ Cable Car Cinema
[
02/20
]
"The Providence Postcard Project"
@ Brown University's Granoff Center, Martinos Auditorium
ARTICLES BY GERALD PEARY
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| February 08, 2012
One film stands out among the Animated Shorts, Amanda Forbis and Wendy Tilby's Wild Life .
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| February 07, 2012
The Oscar nominees for Live Action Shorts come down to five conventional narratives.
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REVIEW: SILENT SOULS
| January 17, 2012
This is probably the only film we'll encounter about the Merja culture of West Central Russia, a Finno-Ugric tribe in which even the most modernized people pay allegiance to ancient customs.
REVIEW: HELL AND BACK AGAIN
| January 05, 2012
Winner of the Grand Jury Prize at the 2011 Sundance Film Festival, Hell and Back Again offers a potent documentary correlative to the narrative of The Hurt Locker .
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GERALD PEARY
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