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Review: Big Mommas: Like Father, Like Son
Reviews
Surf's Up
Surf's Up wipes out
By
ALICIA POTTER
|
June 6, 2007
SURF'S UP
1.5
Stars
VIDEO: Watch the trailer for
Surf's Up
.
Is it coincidence or homage that a fat, sullen penguin in this animated dud resembles Michael Moore? Likely the latter, as directors Ash Brannon and Chris Buck meld
Happy Feet
,
The Endless Summer
, and
This Is Spinal Tap
into the first CGI “mockumentary.” Surfing rockhopper Cody Maverick (voice of Shia LaBeouf) dreams of dominating the sport like his hero Big Z, who died in competition . . .
or did
he?
As the film sets up this “mystery,” it cheekily spoofs such
de rigueur
documentary fodder as scratchy footage and talking heads. Yet the promising jolt of satire fizzles when Cody and his cringeworthy chicken sidekick (Jon Heder) take on Big Z’s nemesis. Dreary and devoid of laughs, the film can’t sustain its disparate influences (the “camera crew” come and go like the tide), and it resorts to the obligatory platitudes and gastrointestinal gags plus a gratuitous flirtation (Zooey Deschanel, batting her eyelashes even as a bird). Despite some impressive aqueous animation, Surf’s Up wipes out.
Related
:
In sickness and in health
,
Moore of the same
,
Michael and me
,
More
In sickness and in health
Michael Moore seems a little down on himself.
Moore of the same
I suspect that Moore had altruistic motives in presenting the case studies of victims of HMOs, hospitals, and drug companies in his movie.
Michael and me
Arriving in Austin for the South by Southwest Film Festival, Mr. Film Culture was one swell-chested dude.
Review: Capitalism: A Love Story
In his new film about the Wall Street meltdown, Michael Moore — surprise! — denounces capitalism and its exploitation of the working class. Not that he's above doing a little exploiting himself.
Review: American Casino
If you’re still curious about what derivatives are after seeing Michael Moore’s Capitalism: A Love Story , Andrew and Leslie Cockburn’s drier, more in-depth examination of the meltdown and bailout might help.
Flashbacks: November 3, 2006
These selections, culled from our back files, were compiled by Dan Peleschuk, Ian Sands, and Eva Wolchover.
Documentary Man
If you think the polemic salvos Michael Moore churns out define the modern documentary, you've either succumbed to Moore's manipulative shenanigans or are unfamiliar with the works of Frederick Wiseman. No disrespect to the Roger & Me director, he is what he is — a man with a camera and a handful of pixie dust.
An Unreasonable Man
If you’ve grown tired of the hysterical one-note demagoguery of Michael Moore’s documentaries, then An Unreasonable Man may seem a welcome relief.
Evil genius
You’ve got to hand it to Dick Cheney, vice president and fictional MAXIMUM RULER OF THE UNIVERSE.
An American Carol
A Michael Moore–esque documentarian changes his stars and stripes after trying to abolish the Fourth of July.
The girls of summer
It’s summer, so no one’s surprised at the onslaught of sequels, adaptations, or even movies based on toys. But films with Oscar-caliber women’s roles?
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[
02/17
]
Festival Ballet Providence presents UP CLOSE ON HOPE
@ Black Box Theater
[
02/17
]
"Dana Levin: A Classical Realist In the 21st Century," an exhibit of paintings
@ Bert Gallery
[
02/17
]
Mary Poppins
@ Providence Performing Arts Center
ARTICLES BY ALICIA POTTER
REVIEW: DECLARATION OF WAR
| February 16, 2012
A baby with a brain tumor is no laughing matter.
REVIEW: YOUNG ADULT
| December 13, 2011
A baby, a high school, and esoteric pop culture references once again figure prominently — albeit less glibly — in director Jason Reitman and screenwriter Diablo Cody's first re-teaming since Juno.
REVIEW: A DOLPHIN TALE
| September 20, 2011
Winter the dolphin gamely plays herself in this loose re-telling of her fight for survival after a crab trap mangles her tail.
REVIEW: AFRICAN CATS
| April 25, 2011
To their credit, directors Alastair Fothergill and Keith Scholey don't cut away from a downed gazelle or a hippo mid evisceration.
REVIEW: LEAVING
| January 11, 2011
Kristin Scott Thomas doffs her native language, a recent tendency toward shrewishness, and a couple of sundresses to play an elegant South-of-France housewife hot for an ex-con builder.
See all articles by:
ALICIA POTTER
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