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See all in Reviews
Review: Big Mommas: Like Father, Like Son
Reviews
Waitress
Serving happy endings
By
BRETT MICHEL
|
May 9, 2007
WAITRESS
3.0
Stars
VIDEO: Watch the trailer for
Waitress
.
In this posthumous release from writer/director/actress Adrienne Shelly (who was murdered last November, apparently by an illegal immigrant), Andy Griffith is still presiding over small-town America, but it sure as hell isn’t Mayberry. His Old Joe’s got his paternal eyes on Jenna (Keri Russell), a waitress at his diner. She’s a petite, pretty charmer, but she can’t see it, perhaps because she’s used to hearing “You ain’t never been sexy!” screamed at her by Earl (Jeremy Sisto), her controlling ogre of a husband. No wonder she’s taken up a hobby: inventing “Biblically good” pie recipes, such as “I hate my husband pie” and “I don’t want Earl’s baby pie.” Yes, she’s pregnant. Soon she finds herself engaged in a passionate affair with the “weird” (“he’s from Connecticut”), handsome new obstetrician in town, who’d be perfect if he weren’t so married. As Jenna’s face takes on a permanently affixed smile, the film almost earns its happy ending, a fate that eluded the promising Shelly.
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Review: Play the Game
,
Splendor on the screen
,
Kurt speaks
,
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Review: Play the Game
This is the kind of movie you stagger out of in a stunned trance.
Splendor on the screen
The arc of Elia Kazan's professional life has its origins in the Group Theatre, where he was trained as an actor and performed in the original 1930s productions of Clifford Odets's Waiting for Lefty and Golden Boy .
Kurt speaks
The driving force behind Nirvana on fame, youth, and Leave It to Beaver
Mission implausible
Like the adrenaline shot that invigorates one of his characters, television wunderkind J.J. Abrams’s stab at the billion-dollar Tom Cruise spy franchise briefly gets your heart pounding, only to ultimately fail at bringing much-needed life to the latest reworking of Bruce Geller’s TV relic.
War zones
The party’s over. Time for the lessons to begin.
The Big Hurt: Checking the Billboard Hot 100
As usual, I won't be able to make it through the full 100, but seven is just as good, right?
August Rush
Kirsten Sheridan’s movie is about Music: how Music connects all of us, how Music is everywhere, how all Music is uplifting, dammit, no matter what.
Scott MacKay, superstar
You can take it from these longtime observers of the Providence Newspaper Guild’s annual Follies: Scott MacKay’s performance as co-emcee stole the show this year.
Marketing magic
When you dial the Disney Channel headquarters in Burbank and ask to be transferred, the operator will cheerily instruct you to have a “magical day.”
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[
02/17
]
Festival Ballet Providence presents UP CLOSE ON HOPE
@ Black Box Theater
[
02/17
]
"Dana Levin: A Classical Realist In the 21st Century," an exhibit of paintings
@ Bert Gallery
[
02/17
]
Mary Poppins
@ Providence Performing Arts Center
ARTICLES BY BRETT MICHEL
REVIEW: THIS MEANS WAR
| February 16, 2012
What promises to be a modern Jules and Jim (until you realize it's directed by a 43-year-old who calls himself "McG") quickly devolves into Spy vs. Spy territory, only with incompetently staged and edited action and little of that ol' Mad magazine zing.
REVIEW: THE VIRAL FACTOR
| January 17, 2012
Made for a modest budget of $17 million — and feeling like it (who needs convincing explosions in an action movie?), Dante Lam's latest still gets the job done from a run-and-gun standpoint.
REVIEW: EXTREMELY LOUD AND INCREDIBLY CLOSE
| January 17, 2012
Too soon? For Stephen Daldry's 9/11 drama, the right time is "never."
REVIEW: THE DIVIDE
| January 10, 2012
Many a teleplay for The Twilight Zone threatened atomic Armageddon, and though Frontier(s) director Xavier Gens nukes New York in the opening shots of his latest thriller, he finds more inspiration in the horrors of human nature as seen in the old TV show's episode "The Monsters Are Due on Maple Street."
REVIEW: MISSION: IMPOSSIBLE – GHOST PROTOCOL
| December 20, 2011
Impossible Missions Force agent Ethan Hunt (Tom Cruise) returns to the screen in dramatic fashion as new teammate Jane (Paula Patton) and the returning Benji (Simon Pegg) break him out of a Russian prison.
See all articles by:
BRETT MICHEL
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