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Review: Big Mommas: Like Father, Like Son
Reviews
Vacancy
How's that for a twist?
By
BRETT MICHEL
|
April 25, 2007
VACANCY
3.0
Stars
VIDEO: Watch the trailer for
Vacancy
.
What’s happened to the horror film? Rather than experiencing terror rise from the unknown (and unseen), audiences are “treated” to fetishized torture and murder, with grisly “money shots” designed to get them off — “torture porn,” in media parlance. Nimród Antal, no stranger to dark spaces (witness his moody 2003 debut, the Hungarian
Kontroll
), acknowledges this distasteful trend but also rejects it. His smart, efficient throwback to a more Hitchcockian era finds bickering David and Amy Fox (Luke Wilson and Kate Beckinsale) stranded at a secluded motel after their car breaks down. Before you can say “Norman Bates,” they meet Mason (Frank Whaley, believably backwoods), a proprietor with a profitable side gig producing videos in which his guests are — yes — tortured to death. Antal might disappoint viewers conditioned to twist endings, but his skillful use of sound and shadow over on-screen viscera truly chills. How’s that for a twist?
Related
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,
Review: Armored
,
Review: Battle for Terra
,
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Apocalypse now and then
With Snakes on a Plane and World Trade Center opening on the same day, this summer won’t be offering the usual escapist fare.
Review: Armored
In view of its credentials, Armored should be a lay-up.
Review: Battle for Terra
Say you want to produce an independent computer-animated sci-fi epic but you don't have the deep pockets of Pixar or DreamWorks — what to do? If you're director Aristomenis Tsirbas, you simplify.
Snow Angels
When a film opens with a shotgun blast that interrupts a lousy high-school-band practice on a miserable winter day, the prospects for a happy ending don’t look good.
Spring brakes
Funny how spring movies can mirror the options of spring break.
Boy A
John Crowley excels at creating a world of barriers and empty spaces, but his appeal to all points of view would do credit to any politician.
Click
In his latest and possibly most banal plea for respect, Adam Sandler plays an architect trying to juggle the demands of family and work. Watch the trailer for Click (QuickTime)
Hoot
The whole fam-dambly should be able to get into this punchy, faithful adaptation of Carl Hiaasen’s award-winning eco caper for young adults.
Being there
Ten years ago at the premiere of the Newport International Film Festival, you didn’t have to be a psychic to foresee that the event would prove popular.
Review: Whiteout
The title of this thriller from Dominic Sena ( Swordfish ) is supposed to describe a brutal Antarctic storm, but what's more likely to come to mind is the goop the film's phalanx of writers used to blot out boos-boos while revising the script.
Masterpieces and mysteries
It is a truth universally acknowledged, that there cannot be too many Jane Austen adaptations for film and television.
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[
02/17
]
Festival Ballet Providence presents UP CLOSE ON HOPE
@ Black Box Theater
[
02/17
]
"Dana Levin: A Classical Realist In the 21st Century," an exhibit of paintings
@ Bert Gallery
[
02/17
]
Mary Poppins
@ Providence Performing Arts Center
ARTICLES BY BRETT MICHEL
REVIEW: THIS MEANS WAR
| February 16, 2012
What promises to be a modern Jules and Jim (until you realize it's directed by a 43-year-old who calls himself "McG") quickly devolves into Spy vs. Spy territory, only with incompetently staged and edited action and little of that ol' Mad magazine zing.
REVIEW: THE VIRAL FACTOR
| January 17, 2012
Made for a modest budget of $17 million — and feeling like it (who needs convincing explosions in an action movie?), Dante Lam's latest still gets the job done from a run-and-gun standpoint.
REVIEW: EXTREMELY LOUD AND INCREDIBLY CLOSE
| January 17, 2012
Too soon? For Stephen Daldry's 9/11 drama, the right time is "never."
REVIEW: THE DIVIDE
| January 10, 2012
Many a teleplay for The Twilight Zone threatened atomic Armageddon, and though Frontier(s) director Xavier Gens nukes New York in the opening shots of his latest thriller, he finds more inspiration in the horrors of human nature as seen in the old TV show's episode "The Monsters Are Due on Maple Street."
REVIEW: MISSION: IMPOSSIBLE – GHOST PROTOCOL
| December 20, 2011
Impossible Missions Force agent Ethan Hunt (Tom Cruise) returns to the screen in dramatic fashion as new teammate Jane (Paula Patton) and the returning Benji (Simon Pegg) break him out of a Russian prison.
See all articles by:
BRETT MICHEL
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