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Review: Big Mommas: Like Father, Like Son
Reviews
Year of the Dog
Not too mangy
By
BRETT MICHEL
|
April 18, 2007
YEAR OF THE DOG
2.5
Stars
VIDEO: Watch the trailer for
The Year of the Dog
.
Ever been to the pound? There’s almost nothing sadder than neglected dogs awaiting their fates. If they aren’t released through the love of a new owner at the eleventh hour, then it’s off to the euthanized Big Pile at the twelfth. In writer Mike (
Chuck & Buck
,
The School of Ro
ck) White’s directing debut,
Saturday Night Live
alum Molly Shannon bats doomed puppy eyes as Peggy, an office assistant/future spinster who’s never found a better companion than her beloved beagle, Pencil. When Pencil dies suddenly, Peggy is shattered. Much like a pooch gazing forlornly from a cage, she goes on a disastrous date with the gun-and-knife nut next door (John C. Reilly) before fruitlessly wagging her tail at Newt (Peter Sarsgaard), an asexual ASPCA worker who sets her on a vegan crusade of slightly mad pet repatriation. White’s eye has yet to match his writing, but despite a few fleas, his mangy mutt deserves adoption.
Related
:
All but the wank
,
The taste of sanctimony
,
October lite
,
More
All but the wank
The image of Marlon Brando demanding that Maria Schneider stick two fingers up his ass, now seems the reductio ad absurdum of improvised acting.
The taste of sanctimony
Both the Maine Animal Coalition’s recent Vegetarian Food Festival and Mike White’s new film Year of the Dog explore the idea that the confinement and killing of animals is the great moral shame of our time.
October lite
We expected the vampires, the werewolves, the zombies, and the homicidal maniacs. Same thing with the android doubles, the alien abductors, the sexually abused pregnant teenager, the Apocalypse, and the post-Apocalypse. But kids' movies?
Review: An Education
Let’s get this right out of the way: Carey Mulligan is the real thing.
Crossword: ''Movie Madness''
Be kind, can't rewind
Review: Cyrus
Helicoptering parents and stay-at-home adult children have been popular issues of late, and at first, the Duplass Brothers' third feature (and their first made with a studio) seems poised to exploit them.
Review: Cirque du Freak: The Vampire's Assistant
You’ve seen it all before: a boy with a special destiny tangles with the occult and gets sucked out of his normal life and into the twilight realm of the supernatural, in the process setting the stage for paranormal war between good and evil.
Choke holds
That interesting man Chuck Barris has written another book.
Streep daze
Hollywood came to Boston last week.
Little Man
The Wayans brothers grind out another hip-hop farce in questionable taste. Watch the trailer for Little Man (QuickTime)
Stand-up guys
“In the sphere of thought, absurdity and perversity remain the masters of the world,” wrote Schopenhauer, “and their dominion is suspended only for brief periods.”
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Topics
:
Reviews
,
John C. Reilly
,
Peter Sarsgaard
,
Molly Shannon
,
More
,
John C. Reilly
,
Peter Sarsgaard
,
Molly Shannon
,
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,
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[
02/18
]
20th Annual Cajun & Zydeco Mardi Gras Ball
@ Rhodes-On-the-Pawtuxet
[
02/18
]
"Dana Levin: A Classical Realist In the 21st Century," an exhibit of paintings
@ Bert Gallery
[
02/18
]
A screening of Andy Warhol's Sleep
@ RK Projects + Magic Lantern Cinema
ARTICLES BY BRETT MICHEL
REVIEW: THIS MEANS WAR
| February 16, 2012
What promises to be a modern Jules and Jim (until you realize it's directed by a 43-year-old who calls himself "McG") quickly devolves into Spy vs. Spy territory, only with incompetently staged and edited action and little of that ol' Mad magazine zing.
REVIEW: THE VIRAL FACTOR
| January 17, 2012
Made for a modest budget of $17 million — and feeling like it (who needs convincing explosions in an action movie?), Dante Lam's latest still gets the job done from a run-and-gun standpoint.
REVIEW: EXTREMELY LOUD AND INCREDIBLY CLOSE
| January 17, 2012
Too soon? For Stephen Daldry's 9/11 drama, the right time is "never."
REVIEW: THE DIVIDE
| January 10, 2012
Many a teleplay for The Twilight Zone threatened atomic Armageddon, and though Frontier(s) director Xavier Gens nukes New York in the opening shots of his latest thriller, he finds more inspiration in the horrors of human nature as seen in the old TV show's episode "The Monsters Are Due on Maple Street."
REVIEW: MISSION: IMPOSSIBLE – GHOST PROTOCOL
| December 20, 2011
Impossible Missions Force agent Ethan Hunt (Tom Cruise) returns to the screen in dramatic fashion as new teammate Jane (Paula Patton) and the returning Benji (Simon Pegg) break him out of a Russian prison.
See all articles by:
BRETT MICHEL
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