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Review: Yellowbrickroad
Reviews
The Ultimate Gift
Pretty hoky stuff
By
TOM MEEK
|
March 14, 2007
THE ULTIMATE GIFT
" alt="photo of 'THE ULTIMATE GIFT'">
2.0
Stars
THE HEART OF THE SERMON: Abigail Breslin's performance is on tap.
Stingy are the rich, as we know from Ebenezer Scrooge and even Bill Gates before he became a crusading philanthropist. Same thing here in this maudlin life lesson with Christian overtones. Jason (a generic Drew Fuller), the slacker grandson of late oil tycoon Red Stevens (James Garner), has a shot at the patriarch’s billions if he can pass a few tests. (His mother and his uncles get passed over because they’re ne’er-do-wells.) The “gifts” include physical labor, homelessness, friendlessness, and fighting druglords in Ecuador — pretty hoky stuff made hokier by director Michael O. Sajbel’s shaky hand. The good news is that Little Miss Sunshine, Abigail Breslin, is on tap as the spunky girl afflicted with leukemia whom Jason befriends. He also falls for her Jennifer Aniston knockoff of a mom (Ali Hillis). You can’t argue with the heart of the sermon (based on Jim Stovall’s “inspirational” novel), but still, how did the venerated Red raise such a phalanx of avaricious assholes to begin with?
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[
05/26
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"A Natural Order," photographs by Lucas Foglia
@ David Winton Bell Gallery
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George Orwell's 1984, adapted by Nick Lane
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"2012 RISD Graduate Thesis Exhibition"
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ARTICLES BY TOM MEEK
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The latest dark comedy from Bobcat Goldthwait tackles both vapid celebrity culture ( i.e. , Paris Hilton, the Kardashians, and American Idol ) and the indignity of being an office drone.
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| April 24, 2012
Peter Lord, animator behind claymation staples Wallace & Gromit and Chicken Run , directs this very British, very dry romp on the high seas during the time when Britannia did indeed rule the waves.
REVIEW: GOD BLESS AMERICA
| April 18, 2012
The latest dark comedy from Bobcat Goldthwait tackles both vapid celebrity culture (i.e., Paris Hilton, the Kardashians and American Idol) and the indignity of being an office drone.
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| March 15, 2012
Dan Lindsay and T. J. Martin's Oscar-winning documentary about an underequipped high-school football team competing against big-time programs across Tennessee offers a potent contemplation on race and opportunity.
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| March 01, 2012
Regrettably, this team loses a lot of Seuss's quirkiness, though not the message about corporate greed and slash-and-burn imperialism.
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TOM MEEK
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