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Review: Big Mommas: Like Father, Like Son
Reviews
Ghost Rider
Without Cage, an infernal flame-out
By
TOM MEEK
|
February 21, 2007
GHOST RIDER
2.0
Stars
phxcinema#
Ghost_Rider
#')
If Nicolas Cage weren’t a goofball with a hunky physique and droll wit, this Marvel-comic-to-big-screen adaptation would have no torque at all. He plays a heralded stunt cyclist (à la Evel Knievel) tricked into a bogus deal with the Devil. Upstaging said Devil (Mr. Easy Rider himself, Peter Fonda) as the baddest guy on screen is Blackheart (Wes Bentley), his son, who wants to invoke the End of Days. That gives Cage’s Johnny Blaze plenty of opportunity to transform into the Rider of the title, a flaming skeleton atop a hell-bent Harley who issues Hulk-like inanities while laying down his wrath with a steel chain turned impromptu whip. Eva Mendes and Sam Elliott fill in as love interest and mentor, respectively, and director Mark Steven Johnson improves on his last outing,
Elektra
, but without Cage, he’d have little more than an infernal flame-out.
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Review: Bad Lieutenant: Port of Call New Orleans
Nicolas Cage is at his best in Bad Lieutenant
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As I looked over my list of the best movies of 2009, it suddenly struck me: where are all the women on screen?
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Hong Kong auteur John Woo hit commercial and artistic pay dirt in the US with Face/Off , his loopy Nicolas Cage/John Travolta neo-noir, but once he’d directed Tom Cruise in Mission: Impossible II , was there anywhere left to go?
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"When people like to label any kind of performance as over the top, I suggest that if you were to go to the Guggenheim and look at a Francis Bacon, would you call that over the top?"
New to DVD on January 17, 2006
With the possible exception of the days of Soviet Social Realism, people have gone to the movies to escape the daily grind, not relive it.
Crossword: ''Slash of inspiration''
You have to draw the line somewhere
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A hero named Darwin and a convoluted plot about "global extermination" are the first clues that director Hoyt Yeatman isn't taking the cute route with his cast of animated guinea pigs.
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[
02/17
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Festival Ballet Providence presents UP CLOSE ON HOPE
@ Black Box Theater
[
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"Dana Levin: A Classical Realist In the 21st Century," an exhibit of paintings
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Mary Poppins
@ Providence Performing Arts Center
ARTICLES BY TOM MEEK
REVIEW: UNDERWORLD: AWAKENING
| January 24, 2012
The Underworld series got long in the tooth early, but here, in the fourth installment (directed by Swede Måns Mårlind), it grows new fangs.
REVIEW: JOYFUL NOISE
| January 10, 2012
There's not much joy but there's plenty of noise of the rafter-rocking gospel singing variety in Tony Graff's musical dramedy.
REVIEW: IN THE LAND OF BLOOD AND HONEY
| January 05, 2012
Jolie has loosely reworked the story of Romeo and Juliet in an infamous setting familiar from CNN but here seen from the inside.
REVIEW: ALVIN AND THE CHIPMUNKS: CHIPWRECKED
| December 13, 2011
For 50 years, Alvin and the Chipmunks have been driving parents nuts with their helium-infused banter and shrill bastardizations of pop music.
REVIEW: TRESPASS
| October 13, 2011
If Rod Lurie's errant remake of Straw Dogs didn't tickle your morbid fear of home invasion, then perhaps the latest from Joel Schumacher ( Falling Down ) might do the job.
See all articles by:
TOM MEEK
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