2nd Story’s Sunset scares up some laughs
By BILL RODRIGUEZ | February 12, 2008
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My own backward gaze over the last decade of local theater only takes in the second half of it, so I've consulted a few veterans.
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Fool for Love is pure Sam Shepard, as the playwright packs in an explosive blend of myth and Eros, ambiguity and knee-in-the-gut certitude, boiling it all down into less than an hour of existential essence. The current rendition at Roger Williams University Barn Summer Playhouse will impress even demanding theatergoers with its emotional confidence and finesse.
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When Neil Simon penned Fools , writes director Celeste Green in the program notes to her Lyric Music Theater production of the 1981 comedy, he was playing to lose: He was hoping not to make us laugh and cry, but to hose his investors and flout his ex-wife, who was promised the profits of his next play.
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In 1665, when it made a brief appearance before being suppressed for a couple of hundred years, Molière’s Don Juan was a “machine play.”
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Every once in a while a playwright comes along with a distinct point of view and a voice that can’t be ignored.
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